• bogdugg@lemmy.world
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    1 year ago

    Well, there’s two ways you could interpret that:

    • As you say, ‘shelf life’, how long they can sell the game with their voice in it
    • Or, ‘voice time’, as in, contracts are negotiated in total duration of voice lines. Exceeding that number requires renegotiation.

    I suspect it’s the latter as that is more similar to how voice work is already done, to my understanding.