Pennsylvania Avenue Subway, Reading Railroad, Philadelphia, 2004.
#photography
Captured with a Fuji GX680 camera, 80mm lens, T-Max 100 film. Some tilt was applied to control focus. It was very dark in there, and focusing required the use of a flashlight.
The Pennsylvania Avenue Subway was built to provide a sub-grade freight connection between the Reading Railroad’s main line and its “City Branch”. It served the Baldwin Locomotive Works’ Callowhill plant and the Philadelphia Inquirer’s printing plant, among other Center City industries. Abandoned in the 1980’s.
@mattblaze@federate.social
Old stuff like that is fascinating, it has such a sense of mystery to me. St. Louis had a similar tunnel that also served the newspaper.The GX680 was a fun but very unusual camera that couldn’t quite decide what it wanted to be. It’s a truly gigantic beast of a medium format SLR camera providing (limited) view camera movements. It shot 120-format roll film with a 6x8cm frame (so a 3:4 aspect ratio), with a built-in autowinder. It’s sort of what you’d get if you merged a Nikon F4, a Hasselblad, and a Crown Graphic. Definitely not a point & shoot camera.
@mattblaze@federate.social The subject and feel of the photo is kind of “solid” so I’m not surprised it’s from your hefty beast.
I went all digital about a year after this photo.
I love that so many creative people are going back to film today and keeping a lot of that technique from being lost (not to mention maintaining film and developer industries), but I doubt I’ll join them. I don’t buy the argument that film photography is somehow more “pure” (whatever that means), or that digital photography is “cheating” because it doesn’t require certain skills. I’m glad I have film experience, but also glad to leave it behind.
@mattblaze@federate.social It’s fun, as is the lost art of darkroom magic.
@mattblaze@federate.social I’m having a lot of fun with film, big it sure takes a lot of time.
which I have a lot of these days.
In the early 2000’s, there was a lot of outright hostility toward digital photography from people who felt heavily invested in film technique. It’s a relief that that silliness has by now pretty much disappeared, and now film is simply another photographic medium that you can choose to adopt (or not).
@mattblaze@federate.social @robcinos@hachyderm.io I don’t miss anything about film.
@mattblaze@federate.social Early digital cameras really weren’t very good, particularly on the affordable end of the spectrum. I think the swing happened in the mid-2000’s, when the megapixel wars got rolling and costs came down. These days, my smartphone blows away any (pocketable) camera I’ve ever owned, although I do occasionally miss my Yashica T4 Super. That was great for walking around street photography.
@dwallach@discuss.systems Early digital photography had lower resolution and more limited dynamic range. But so what? So does some film.
@dwallach @mattblaze I have yet to experience from a digital photographic system the joy and excitement of watching an image emerge from a sheet of photographic paper as it sits in the developer tray.
@karlauerbach @mattblaze I used to spend a lot of my time in the 80’s in darkrooms. While I have a soft spot in my heart for the sharp smell of stop bath, the ability for Photoshop to adjust an image in seconds what would take substantially longer in a darkroom? Priceless.
What the shift to digital from film did for me, both in terms of shooting and processing, was that it increased my willingness to experiment by lowering the cost (time and dollars). I really leveled up in my skills.
@dwallach @karlauerbach I think I genuinely miss about 20% of darkroom work, and say “good riddance” to the other 80%.
@mattblaze@federate.social And now we can do neat mashups of photographic techniques https://petapixel.com/2020/04/01/how-to-make-cyanotype-prints-of-your-digital-photos-at-home/
